In my previous blog post, I mentioned how I drew inspiration from Adam Curtis’ bitter lake, although I recognised that found footage did not fit with my narrative. However since shooting all of my footage in Dubai and London, during post production I have realised that due to only having two camera’s for the interview- which at large is essentially my entire documentary, that I need to divide the footage as it seems to be quite repetitive. The continuous interview footage, does not align with my intentions spoken about in the Rhythm of emotion, there is no element of surprise or stimulation within the visuals. Therefore I think that including found footage would benefit my documentary in two ways. One being that it provides the audience with more visual variation, instead of constant interview footage which has the potential to lead viewers to loose interest in the film. Secondly, it can be used as a tool to visually aid the conversation, portraying a clearer sense of what the family members actually experienced. Through exhibiting the actual situations such as the demonstrations and protests of the 1979 revolution, provides the audience with a stronger sense of the hardship they went through by including two contrasting perspectives towards the revolution (the western news and the insiders). Furthermore in regards to the emotional rhythm of the film, it believe for my project it is necessary to insert found footage to strengthen the audiences understand of the revolutionary era as Belina Small argues ‘Emotions move along with histories of signification and, through this, become associated with and shape relationships with objects such as images and genres, a text and/or the institutions surrounding the text, in systematic ways’ (The Documentary-politics, emotion, culture by Belina Smaill). Thus using footage to visually signify parts of the interviewee’s conversation, can be viewed as a catalyst in evoking certain emotions from the audience. Personally, from watching Bitter Lake, it was quite an intense experience because actually watching footage made me feel like I was live at the scenes. Clips of violence made me physically cringe, I felt a connection with some scenes and reacted in my own space at home, how I would If I was in the position being presented to me on the screen. The power and effect of found footage led me to believe that I was present in some of the footage, intensifying my reactions to what I was being shown. Therefore the ability in which found footage has to draw in the attention of the viewer and construct the illusion of real presence in scenes, heightens the viewing experience whilst simultaneously increasing the bond towards the characters.